Obverse
Portrait of the reigning monarch, facing left or right depending on the reign, with an abbreviated Latin legend. Under George V, for example: “GEORGIVS V D.G.BRITT:OMN:REX F.D.IND:IMP:”. Under the young Victoria, “VICTORIA DEI GRATIA”.
Written by the Maison Or & Bijoux Strasbourg team · updated

| Country | United Kingdom |
|---|---|
| Metal | Gold, 916.7‰ fine (22 carat) |
| Weight | 7.988 g (half sovereign: 3.99 g) |
| Fine gold | 7.322 g (half sovereign: 3.66 g) |
| Diameter | 22.05 mm (half sovereign: 19.30 mm) |
| Years struck | Since 1817, with interruptions (no circulation strikes from 1933 to 1956) |
| Mints | London (no mark), Sydney (S), Melbourne (M), Perth (P), Ottawa (C), Bombay (I), Pretoria (SA) |
The sovereign is the British one-pound gold coin, struck since 1817 in London and then in the mints of the Empire, from Sydney to Pretoria. It turns up often because it was produced in hundreds of millions and served as a trade coin far beyond the United Kingdom. To identify one, look at the monarch, the year and the small mint mark, which separates a common coin from a rarity.
Portrait of the reigning monarch, facing left or right depending on the reign, with an abbreviated Latin legend. Under George V, for example: “GEORGIVS V D.G.BRITT:OMN:REX F.D.IND:IMP:”. Under the young Victoria, “VICTORIA DEI GRATIA”.
Two main types. Saint George slaying the dragon, by Benedetto Pistrucci, with his initials “B.P.” near the date: from 1817 to 1820, then continuously since 1871. Between these periods, and in London until 1874, a crowned shield of the royal arms within a laurel wreath, with “BRITANNIARUM REGINA FID: DEF:” under Victoria.
First find the mint mark: on the Saint George reverse, a small letter on the ground above the date; on the shield reverse, below the laurel wreath; on the first Australian Saint George coins, below the bust. A coin with no mark comes from London. The George V dates struck in Australia in the 1920s are the most sought after.
| Year | Mint | Mintage | Remarks |
|---|---|---|---|
| 1817 | London | unknown | First modern sovereign, Pistrucci's Saint George. |
| 1819 | London | 3,574 | Very rare date. |
| 1838-1874 | London | unknown | Young Victoria, shield reverse (none struck in 1840 or 1867). |
| 1855-1870 | Sydney | unknown | Type specific to the Sydney Mint, legend “SYDNEY MINT AUSTRALIA”. |
| 1871 | Sydney | 2,814,400 | First Australian sovereigns of the London type, with S. |
| 1872 | Melbourne | unknown | Opening of the mint, M mark. |
| 1879 | London | unknown | Small mintage, almost always worn. |
| 1899 | Perth | unknown | Opening of the mint, P mark. |
| 1908 | Ottawa | unknown | First Canadian sovereign, C mark. |
| 1916 | Ottawa | 6,111 | Key date of the Canadian series. |
| 1917 | London | 1,014,714 | The rarest 20th-century London sovereign. |
| 1918 | Bombay | 1,294,372 | Only year of the Indian mint, I mark. |
| 1919 | Melbourne | 514,257 | Sought after. |
| 1920 | Sydney | 360,000 | Almost entirely melted down: a great rarity. |
| 1920 | Melbourne | 530,266 | Rare, a large part was melted down. |
| 1921 | Melbourne | 240,121 | Very rare. |
| 1922 | Melbourne | 608,306 | Rare. |
| 1923 | Pretoria | 406 | First year of Pretoria, SA mark; 655 proofs. |
| 1924 | Sydney | 394,000 | Hard to find. |
| 1925 | London | unknown | Restruck in 1949, 1951 and 1952 with the 1925 date. |
| 1926 | Sydney | 1,031,050 | Last year of Sydney, very rare despite the mintage. |
| 1931 | Melbourne | 57,809 | Last year of Melbourne. |
| 1932 | Pretoria | 1,066,680 | Last circulation sovereign under George V. |
| 1957 | London | unknown | Striking resumes, portrait by Mary Gillick. |
| 1974 | London | unknown | Resumed after a six-year pause, portrait by Arnold Machin. |
Mintages from Wikipedia (1819, 1918 Bombay) and the mint-by-mint tables of goldsovereigns.co.uk, cross-checked with Heritage listings and specialist dealers. Recorded mintages do not always reflect rarity: many Australian sovereigns were melted down. The table does not list every date.
The varieties come first from the portraits: Victoria exists as a young head (1838-1887), a Jubilee head (1887-1893) and a veiled old head (1893-1901). The “Sydney Mint” type sovereign, struck from 1855 to 1870, shows Victoria with a banksia sprig in her hair and carries the name of the mint and “ONE SOVEREIGN” on the reverse. Under Victoria, London and Australia struck the shield reverse and the Saint George in parallel, Australia keeping the shield until 1887. Some 1863 coins carry a small “827” on the obverse, probably an ingot number.
The sovereign is one of the most imitated gold coins in the world. After the Second World War it still circulated in Greece and the Middle East, where demand was strong, which encouraged clandestine workshops in Syria, Italy, Switzerland and then Lebanon in the early 1970s. Many of these fakes contain the right amount of gold, so scales alone are not enough. The signs to look for are soft relief, the grainy surface of a cast coin, irregular milling and a combination of date, portrait or mint that does not exist. Resuming production in 1957 was precisely meant to compete with these copies. See also the guide spotting a fake coin (in French).
Saint George is the best indicator of wear. Look first at the helmet and the horse's mane, then the rider's thigh and the animal's muscles: on a heavily circulated coin they become a smooth surface. The scales and tail of the dragon also disappear quickly.
On the portrait side, the high points depend on the reign. On George V, the beard and ear; on Edward VII, the cheekbone and the hair above the ear; on the young Victoria, the bun and the locks tied with a ribbon. On the shield reverse, watch the details of the crown and the laurel leaves.
Sovereigns were widely used in payment, then in jewellery: mount marks, edge knocks and cleaning scratches are common. For a common date, these defects matter little. For a rare date, they weigh heavily, which is why you should never clean a coin (guide in French). The grading scale is explained in the guide coin grades (in French).
The sovereign was born of the great recoinage of British money that followed the Napoleonic Wars. Authorised by the Coinage Act of 1816, it was struck from 1817 and replaced the guinea as the reference gold coin. Pistrucci, an Italian engraver, designed the Saint George for it, which was dropped in 1821 and then restored in 1871.
The Australian gold rush changed the scale of production. Sydney struck from 1855, first with its own type, then from 1871 with the London type and a mint mark. Melbourne opened in 1872, Perth in 1899, Ottawa in 1908. During the First World War, a temporary mint operated in Bombay in 1918 and 1919 with South African gold that the naval war prevented from being shipped to London. Pretoria took over from 1923 to 1932.
After 1917, London struck almost no sovereigns for circulation, 1925 being the best-known exception. The Australian mints stopped in 1931, Pretoria in 1932. The coin returned in 1957, struck in large runs until 1968, and again since 1974. The half sovereign follows the same history, with its own dates. You will find other British and Commonwealth coins in the section foreign coins (in French).
There is no direct historical link between the sovereign and Alsace: the coin was never legal tender in France. Yet it regularly turns up in Alsatian estates, as everywhere in France, alongside the 20 francs Napoleon or the 20 marks. The sovereigns of Edward VII and George V, struck in very large numbers, are the most common.
On the Saint George reverse, it is a small letter above the date, on the ground where the horse stands. On the shield reverse, it is below the laurel wreath. A coin with no letter was struck in London.
The half sovereign contains half as much gold (3.66 g against 7.32 g) and measures 19.30 mm instead of 22.05 mm. The designs are the same, but the rare dates are not.
Not necessarily: the 1925 date was restruck in London in 1949, 1951 and 1952, which makes these coins common. The 1925 coins from Sydney, Melbourne or Pretoria can be told apart by their mint mark.
No. Many fakes from the Middle East and Italy were struck in gold of the right fineness and weight. The relief, the milling and the consistency between date, portrait and mint tell you more.